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On Sense And The Sensible   
brought before their eyes, if they are at the time deep in thought, or
in a fright, or listening to some loud noise. This assumption, then,
must be made, and also the following: that it is easier to discern
each object of sense when in its simple form than when an ingredient
in a mixture; easier, for example, to discern wine when neat than when
blended, and so also honey, and [in other provinces] a colour, or to
discern the nete by itself alone, than [when sounded with the
hypate] in the octave; the reason being that component elements tend
to efface [the distinctive characteristics of] one another. Such is
the effect [on one another] of all ingredients of which, when
compounded, some one thing is formed.
If, then, the greater stimulus tends to expel the less, it
necessarily follows that, when they concur, this greater should itself
too be less distinctly perceptible than if it were alone, since the
less by blending with it has removed some of its individuality,
according to our assumption that simple objects are in all cases
more distinctly perceptible.
Now, if the two stimuli are equal but heterogeneous, no perception
of either will ensue; they will alike efface one another's
characteristics. But in such a case the perception of either
stimulus in its simple form is impossible. Hence either there will
then be no sense-perception at all, or there will be a perception
compounded of both and differing from either. The latter is what
actually seems to result from ingredients blended together, whatever
may be the compound in which they are so mixed.
Since, then, from some concurrent [sensory stimuli] a resultant
object is produced, while from others no such resultant is produced,
and of the latter sort are those things which belong to different
sense provinces (for only those things are capable of mixture whose
extremes are contraries, and no one compound can be formed from,
e.g. White and Sharp, except indirectly, i.e. not as a concord is
formed of Sharp and Grave); there follows logically the
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