|                   
|
protagoras   
and so more fitted for speech and action; for the life of man in every
part has need of harmony and rhythm. Then they send them to the master
of gymnastic, in order that their bodies may better minister to the
virtuous mind, and that they may not be compelled through bodily
weakness to play the coward in war or on any other occasion. This is
what is done by those who have the means, and those who have the means
are the rich; their children begin to go to school soonest and leave
off latest. When they have done with masters, the state again
compels them to learn the laws, and live after the pattern which
they furnish, and not after their own fancies; and just as in learning
to write, the writing-master first draws lines with a style for the
use of the young beginner, and gives him the tablet and makes him
follow the lines, so the city draws the laws, which were the invention
of good lawgivers living in the olden time; these are given to the
young man, in order to guide him in his conduct whether he is
commanding or obeying; and he who transgresses them is to be
corrected, or, in other words, called to account, which is a term used
not only in your country, but also in many others, seeing that justice
calls men to account. Now when there is all this care about virtue
private and public, why, Socrates, do you still wonder and doubt
whether virtue can be taught? Cease to wonder, for the opposite
would be far more surprising.
But why then do the sons of good fathers often turn out ill? There
is nothing very wonderful in this; for, as I have been saying, the
existence of a state implies that virtue is not any man's private
possession. If so-and nothing can be truer-then I will further ask you
to imagine, as an illustration, some other pursuit or branch of
knowledge which may be assumed equally to be the condition of the
existence of a state. Suppose that there could be no state unless we
were all flute-players, as far as each had the capacity, and everybody
was freely teaching everybody the art, both in private and public, and
reproving the bad player as freely and openly as every man now teaches
|