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symposium   
as I have described."
I said, "O thou stranger woman, thou sayest well; but, assuming Love
to be such as you say, what is the use of him to men?" "That,
Socrates," she replied, "I will attempt to unfold: of his nature and
birth I have already spoken; and you acknowledge that love is of the
beautiful. But some one will say: Of the beautiful in what, Socrates
and Diotima?-or rather let me put the question more dearly, and ask:
When a man loves the beautiful, what does he desire?" I answered her
"That the beautiful may be his." "Still," she said, "the answer
suggests a further question: What is given by the possession of
beauty?" "To what you have asked," I replied, "I have no answer
ready." "Then," she said, "Let me put the word 'good' in the place
of the beautiful, and repeat the question once more: If he who loves
good, what is it then that he loves? "The possession of the good," I
said. "And what does he gain who possesses the good?" "Happiness," I
replied; "there is less difficulty in answering that question." "Yes,"
she said, "the happy are made happy by the acquisition of good things.
Nor is there any need to ask why a man desires happiness; the answer
is already final." "You are right." I said. "And is this wish and this
desire common to all? and do all men always desire their own good,
or only some men?-what say you?" "All men," I replied; "the desire
is common to all." "Why, then," she rejoined, "are not all men,
Socrates, said to love, but only some them? whereas you say that all
men are always loving the same things." "I myself wonder," I said,-why
this is." "There is nothing to wonder at," she replied; "the reason is
that one part of love is separated off and receives the name of the
whole, but the other parts have other names." "Give an
illustration," I said. She answered me as follows: "There is poetry,
which, as you know, is complex; and manifold. All creation or
passage of non-being into being is poetry or making, and the processes
of all art are creative; and the masters of arts are all poets or
makers." "Very true." "Still," she said, "you know that they are not
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